(Excerpts from Wikipedia and other sources)
Genseiryū (玄制流?)
is a
karate style with roots in
Shuri-te, one of the three original karate styles of
Okinawa
Japan. It was developed by Seiken Shukumine
(1925–2001) who combined classic techniques with his own
innovations thus developing the special characteristics
of Genseiryū. Shukumine had two known teachers, Sadoyama
and Kishimoto. The name Genseiryū was first used
in 1953. In Japanese the name consists of three
different characters (kanji):玄制流.
The first is gen
(玄?)
and means 'a subtle and deep truth'. The second is sei
(制?)
and translates to 'control', 'system', 'law' or 'rule'
but also 'creating a form.' The last is ryū
(流
ryū)
which simply means 'style' or 'school.' The combination
of gensei
(玄制?)
is
interpreted to mean something
like "to pursue the deep truth and making it clear
through the form," which can be regarded physically as
well as spiritually.
HISTORY & LINEAGE
In the mid 1700's Kusanku (Kwang Shang Fu), born in
1720, learned Ch'uan Fa (today popularly known as "kung
fu") from a Shaolin Monk in China. Kusanku brought his
fighting style to Okinawa. He tought Sakukawa Kanga,
born in 1762, who originally learned Ch'uan Fa from
Peichin Takahara (an Okinawan monk). Kanga later
incorporated other technieques to form Te. Matsumura
"Bushi" Sōkon, born in 1809, learned from him and
subsequently took his skills to become the chief
bodyguard and instructor for two Okinawan kings. Sōkon's
teachings formed the basis of Shuri-te and is one of the
root styles of modern karate. Sōkon tought Shuri-te to
Bushi Takemura who then instructed Kishimoto, born
around 1865. He was the instructor for Seiken Shukumine,
who developed our style called Gensei-ryu. Shukumine
brought Gensei Ryu from Okinawa to Japan teaching
Kunihiko Tosa. Tosa trained Marutani Sensei who then
brought the style to the United States to start this
dojo.
SHUKUMINE HISTORY
In the 1920s and '30s there were three major karate
styles in Okinawa. They were all named after the
cities where they were developed: Naha, Tomari and
Shuri. These three styles (Naha-Te, Tomari-Te and
Shuri-Te) are sometimes called more generally
Okinawan Karate.
Seiken Shukumine, born 9 December 1925 in Nago on
the Japanese island of Okinawa, started at age 8
with karate lessons from Ankō Sadoyama, a
grandmaster in koryū karate ("Old style/school
Chinese techniques"). He trained him for four years.
When Shukumine was about 14 years old, he was
accepted by Kishimoto. Kishimoto was very selective:
he had only nine kōhai (=pupils/students) throughout
his life and also Seiken Shukumine had to insist
many times, before Kishimoto decided to teach the
young man. The last two students of Kishimoto
actually were Seiken Shukumine and Seitoku Higa
(born 1920). Another source states that Seiken
Shukumine was tested before Kishimoto accepted him
as a student. When Shukumine and Kishimoto met for
the first time, Kishimoto took a poker and threw a
piece of wooden coal with full force towards
Shukumine, who evaded. Kishimoto accepted him as a
student on one condition: to promise him to keep the
techniques a secret.[1]
During the Second World War the 18-year-old
Shukumine was drafted into the navy and had to join
the Japanese Kamikaze Corps where he became a
"kaiten" pilot, a one-man ship packed with
explosives used in kamikaze suicide attacks against
American warships. Seiken Shukumine was trained to
guide this small craft through the protective maze
of steel netting that was laid down in the water
around the ships, to prevent them from being
attacked by these kaiten. He thought in a martial
art way to manoeuvre between these steel nettings
and tried to think of techniques to avoid enemy
torpedoes. He learned that he had to work hard to
penetrate the enemy's defenses, and the imagination
of the martial artist in him saw how such an
approach could be adapted to traditional karate to
make for a more supple and dynamic form of
combat[citation needed].
Fortunately Shukumine was never appointed for a
suicide attack and he survived the war. But when he
came back home he found Okinawa demolished by the
bombings and his master Soko Kishomoto was killed
during the Battle of Okinawa in 1945. Shukumine
retreated in solitude for a couple of years and
started to develop his karate style with in the back
of his head his training as a kaiten pilot. He
combined his new techniques with the classic
techniques he had learned from his masters Sadoyama
and Kishimoto, thus developing the special
characteristics of Genseiryū.
In 1949 in the town of Itō (Shizuoka Prefecture,
Japan), Seiken Shukumine demonstrated publicly his
karate techniques for the first time. In October
1950 Seiken Shukumine participated in a karate
exhibition arranged by Nippon Television. In this
demonstration also participated other masters like
Hidetaka Nishiyama (of the Japan Karate Association,
JKA), Yasuhiro Konishi (Ryobukai) Ryusho Sakagami
(Itosukai), H. Kenjo (Kenshukai), Kanki Izumikawa
and Shikan (Seiichi) Akamine (both of Gōjū-ryū).
Shukumine demonstrated a.o. the kata Koshokun dai,
Tameshiwari (breaking technique, in this case
Shukumine broke 34 roof tiles with shutō, the edge
of the open hand) and Hachidan-tobi-geri (jumping
kick with 8 kicks in one jump). In the early 1950s
Shukumine created Sansai no kata, a masterpiece of
Genseiryū karate.
In 1953 Shukumine started to give lessons on the
Tachikawa military base to the Self-Defense Forces
and for the next 10 years he gave lessons at many
dojos (e.g. at universities and corporate groups)
around the Tokyo area. It was in 1953 that Shukumine
officially announced his techniques were Genseiryū,
but the year 1950 is often mentioned as the year of
the beginning of Genseiryū.
He created these basic drills:
Shiho-enpi
Sonoba-enpi
Shiho-tsuki
Shiho-tsuki geri
Shiho-nuki
Shiho-kuzushi
Happo-nuki
He created these basic kata:
Ten-i no Kata
Chi-i no Kata
Jin-i no Kata
Sansai
Koryū Naifanchi
Koryū Bassai
Koryū Kusanku
There are many more kata mentioned in this book,
without pictures, a total of about 44 kata,
including Taikyoku-Shodan, Tensho-no-Kata, Wankan,
etc. In the book he mentions the name Genseiryū a
few times. He refer to the contents of the book as
being koryū (古流), which is considered as 'old
tradition' or 'old school' karate. In the book he
added some kata that he created himself: Ten-i no
Kata Chi-i no Kata Jin-i no Kata and Sansai. In the
book Shin Karatedō Kyōhan many kata and techniques
and training materials are described.
From the 1960s Genseiryū started to spread also
outside Japan, to countries like the USA, Spain,
Finland, Holland, Denmark, Australia, Brazil, India,
etc.
CHARACTERISTICS
Shukumine was also known as a philosopher and during
the war he learned that to do something
unanticipated or unexpected is the secret to
victory, whether in a war between two nations or in
a mere personal conflict. In other words: the basic
philosophy of Genseiryū pursues this idea of doing
the unexpected.
Shukumine ruminated on how to apply this idea not
only to life but also to Genseiryū Karate and its
kata. Eventually he created the basic theory of
"Sen, Un, Hen, Nen and Ten." These are the basic
principles that make of Genseiryū a
three-dimensional karate style:
Sen (whirlwind): vertical circular movement of the
body axis (rotating, turning);
Un (waves): elegant up and down movement in the
directions of front and back;
Hen (clouds): falling movement in front and back,
right and left by your own will;
Nen (maelstrom, whirlpool): twisted hand and arm
techniques, mainly executed on the spot;
Ten (luminous): a technique in an unexpected
situation created by front turn, back turn and side
turn.
It is "Sansai" that is known widely as a typical
kata of Genseiryū with lots of these techniques.
Other genuine techniques of Genseiryū are the kicks
Ebi-geri (back kick with both hands on the ground
and the face close to the ground) and Manji-geri
(side kick (mawashi-geri) with head close to the
ground and both hands on the ground). Both kicks
belong to the so called Shajo-geri group (leaning
body). Besides kata, Genseiryū also practices Shihō
and Happō (some other styles do too, but not all of
them). Shihō (四方) translates into 'four directions'
and comprises exercises in which a combination of
techniques is repeated several times in four
different directions (front, back, right and left).
This is almost the same with Happō, but it
translates into 'eight directions', thus it
comprises exercises in eight different directions.
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